Akshay Kumar -Hollywood star

AKSHAYKUMAR

Akshay Kumar:{{}}
born Rajiv Hari Om Bhatia on September 9, 1967) is an IndianBollywood film actor. He has appeared in over 80 Hindilanguage films.
During the 90s, Kumar was primarily described as the action hero of Bollywood,[1]starring in hit action films such as Khiladi(1992), Mohra (1994) and Sabse Bada Khiladi (1995), and being particularly known for his "Khiladi Series". However, he was simultaneously recognised for his performances in romantic films like Yeh Dillagi (1994) andDhadkan (2000) as well as dramatic films such as Ek Rishtaa(2001), showing his versatility to perform a range of roles.
In 2002, he won his first Filmfare Award under the Best Villaincategory, for his performance in Ajnabee (2001). Willing to change his intransigent image, Kumar later ventured mostly into comedy films.[1] His comic performances in films such as Hera Pheri (2000), Mujhse Shaadi Karogi (2004), Garam Masala (2005) and Jaan-E-Mann (2006) met with critical acclaim. His success further rose in 2007, when he starred in four consecutive commercial hits. Having done so, he has established himself as one of the prominent actors of the Hindi film industry


Personal life:{{}}
During his years in Bollywood, Kumar was romantically linked with several of his co-star actresses like Raveena Tandon, Rekha andShilpa Shetty. After being engaged twice to actress Twinkle Khanna, the daughter of veteran actors Rajesh Khanna andDimple Kapadia, he finally married her on January 14, 2001. Their son named Aarav was born on September 15, 2002.
In 2007, a leading Mumbai tabloid newspaper printed a story saying that Kumar and his wife had fallen out and Kumar had moved out of his home, staying at a hotel instead.[24] On July 26, 2007 the couple sent a legal notice to the tabloid, declaring that the rumour was false. Kumar said:
“
The article is a clear representation of careless and irresponsible journalism. The freedom of press comes with responsibilities, which seems to have been put aside to give way to shock value journalism